Free tool
A film almost never opens everywhere on the same day. Pick a title and your country to see exactly when it reaches your cinemas, how many days that is from now, the full worldwide rollout, and a predicted streaming date.
Dune: Messiah
Warner Bros.
Opens in United States on Friday, December 18, 2026
136
136 days until release
Tuesday, February 16, 2027
Estimated 60 days after the United States theatrical opening. Studios rarely announce the exact streaming date in advance, so treat this as a planning estimate, not a guarantee.
Denis Villeneuve closes the Paul Atreides arc on Arrakis.
Theatrical-to-streaming window: ~60 days.
Earliest market first. Dates are local theatrical openings.
A theatrical release is a logistics problem before it is a creative one. Studios stagger opening dates around local holidays, school breaks, competing blockbusters, and the availability of dubbing and subtitling for each language. The United Kingdom and much of Europe traditionally open on a Friday, but several markets favour a Wednesday or even a Thursday preview night, which is why the UK date often lands a day or two before the United States. Japan is a recurring outlier, major Hollywood titles frequently open there weeks or even months later, slotted around the local release calendar and promotional cycle. None of this is random; each date is negotiated to maximise opening weekend in that specific territory.
The gap between a film leaving cinemas and arriving on a streaming service has collapsed over the last decade. Where the old standard was a comfortable 90 days, many studios now move premium titles to digital rental in 30 to 45 days and to a subscription service soon after. The exact window depends on box office performance, the studio's own platform strategy, and contractual commitments to exhibitors. The predicted streaming date this tool shows is our estimate measured from the local theatrical opening, not an announced date, studios rarely confirm the streaming debut until the theatrical run is well underway.
A "day-and-date" release opens a film in most major markets within the same window, usually to capitalise on a single global marketing push and to blunt piracy. Tentpole franchises increasingly favour this approach. A staggered release, by contrast, rolls the film out market by market over weeks, letting the distributor concentrate marketing spend and ride word of mouth from earlier territories. Smaller films and awards contenders often stagger deliberately, opening in a few cities before widening. When you see the same date repeated across most rows in the rollout above, that is a day-and-date strategy; when the dates fan out, the studio is staggering.